Written for cellist and saw artist Diane Harrington Roscetti, this piece is for bowed musical saw, didgeridoo in C, and hardware percussion including wrecking bars and pipes struck with screwdrivers or wrenches (but it could be played on conventional temple blocks).  About three-and-a-half minutes long, it is written in conventional notation and has a compelling hummable melody played by the saw over the complex rhythmic percussion background and the didgeridoo's rhythmic drone.

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